The Orchard House Page 2

  As the line moved forward, I let my hand fall from the cool wood of the desk. The girls made their way downstairs, their footsteps loud on the ancient staircase. Mrs. Hayes stopped me from following them.

  “Please don’t be discouraged, Taylor. Do you know that both Louisa and Jo had many false starts and even rejections before finding their voice?”

  “They did?” I couldn’t help the curiosity that crept into my tone.

  She nodded. “Why, one of Louisa’s stories was considered so sensational, no one would touch it. But guess what? It’s being published—finally—later this summer. Your time will come, dear. Stick with it, and maybe your sister can help you.”

  My sister.

  For the first time I felt something shut down within me at the mention of Victoria. I supposed we were sisters in a sense. And yet sometimes—times like these—our differences seemed so apparent that I thought I was just kidding myself. Maybe it was a lie—me being a Bennett, me pretending I could be like all these other girls here.

  For once, I felt a need to reveal the truth and set things straight, or it might wrap its cold fingers around my throat and strangle me.

  “She’s not my sister,” I whispered and followed the rest of the girls down the stairs of the old house.

  After we said goodbye to our classmates and teachers, I gave one last look at the beautiful, gabled house. Drapes decorated the sides of each window. A grand old chimney topped the historic house and I reminded myself again how lucky I was to be here, where my favorite book of all time had been written. No matter if the words didn’t come today—perhaps they would tomorrow.

  Turning, I joined Victoria on the walk back home, skipping over the cracks on the sidewalk, my backpack bumping against me with each jump as I listened to Victoria prattle on about the story she’d started that morning. Her words were as plentiful in speaking as in writing, and I listened with rapt attention as we passed the imposing white colonial that used to be Ralph Waldo Emerson’s home.

  “I’m sick of writing about surface stuff, you know? Being at Orchard House, it was like I felt Jo speaking to me, telling me about a new kind of story . . . a story she would have written.”

  I marveled at her imagination, her confidence in her story. Was it because she’d grown up with two loving parents? If I’d been with them from the beginning, instead of living in the house of an absentee uncle, would I have Victoria’s surety?

  “What’s it about?”

  She kept walking but I noticed the faraway look that took over her expression. Her blue eyes turned bright and she absentmindedly pushed aside a stray lock of hair. “It’s about a girl—I named her Sophia—isn’t that the most beautiful name? Anyway, Sophia falls in love with a rich man named Logan, who will only love her if she changes herself. He wants her to cut her hair and only watch football and refuses to let her write her stories because he thinks it’s a waste of time and in the end, it’s about her finding who she is, not about what some boy wants her to be. Don’t you think Jo would love it?”

  “Wow. That’s . . . good. I think she would love it.” We kept walking up Lexington Road, the center of town just in the distance. “How do you come up with all your ideas?”

  She shrugged, flung her hair over her shoulder. “I don’t know—they just come. Yours don’t?”

  I shoved my hands in my pockets and concentrated on my feet.

  Victoria squeezed my arm. “You’ve been through a lot. Don’t be so hard on yourself, okay?”

  I wriggled from her hand. “Stop it.”

  “Stop what?”

  “Stop borrowing lines from your mom.”

  “I’m trying to help, Taylor.”

  “Then be my best friend, like you used to be.”

  Victoria quieted before answering. “I’m trying,” she whispered.

  I ignored the throb of guilt that pulsed through my middle. I had no right to lash out or be anything but grateful to the Bennetts, and that included Victoria. “I’m sorry. I—I know you want to help.”

  We were almost to the middle of town, and she stopped walking. “We always said we wanted to be sisters, and now we are. Aren’t you happy?”

  I was a horrible person. Wretched, as Jo March might say.

  “Of course I’m happy.”

  But something was missing. Not on the surface, but right underneath. Something that made me feel like an intruder within the Bennett family, an intruder even on this new life I got to live. On this side of things, I felt that I owed Victoria, that we were no longer equals. And worse, I knew . . . knew that her parents, Paul and Lorraine, had invited me into their family not so much because they loved me, but because they loved their daughter.

  Even so, how could I be ungrateful? They’d saved me from the foster care system, a place where young teens like me floundered and flopped until they aged out. At least I belonged somewhere now, if only in name.

  “I’m sorry,” I said again. My complicated feelings on family didn’t matter. What mattered was that I showed my gratitude, that Victoria or her parents didn’t ever—ever—regret taking me in. I held out my hand to her and she took it. I squeezed. “Best friends forever, right?”

  She squeezed back. “Best friends and sisters forever.”

  We walked, our hands swinging between us. “Now,” she said. “To help you come up with your brilliant story idea, I say we reinstate the Pickwick Club.”

  I laughed. “We’re too old.”

  “Tell that to the March sisters!” Victoria raised a fist in the air, clearly fired up by our day at the Orchard House camp. And when she got an idea in her head, nothing was known to stop her.

  We’d modeled our Pickwick Club after that found in Little Women, and though neither I nor Victoria had ever read Charles Dickens’s Pickwick Papers, it didn’t seem to matter. Our club had originated five years ago as a simple exchange of short stories and ideas—what some more professional writers would call a critique group. We met once a week in the room above the Bennett garage and encouraged each other in our endeavors, taking turns reading stories. I’d always come up with an idea because I never wanted to show up empty-handed and because Victoria was always willing to help me out when my characters got themselves stuck.

  But somewhere along the way we’d stopped our club. Sometime after Victoria had told me that Brad Lincoln had kissed her at our first middle school dance. Sometime after the Bennetts had decided to “try me out” as a foster child. Sometime after boy bands and Beverly Hills, 90210 had become more the fabric of our lives than a classic nineteenth-century story.

  But here, today, it seemed to resurrect itself, and I couldn’t say I wasn’t happy. This was what I longed for: a return to the past, a return to a simpler time when happiness didn’t hinge on a boy’s attention or how well—or not so well—my chest was growing, but on the simplicity and pleasure of creating a story.

  Victoria pushed me lightly with her shoulder. “Come on, sis. If we’re going to be famous authors one day, we need to get serious about our writing. I’m talking meeting more than once a week. I’m talking word counts, critiques, contests.” Her clear complexion was flushed, excitement making her ten times prettier. “Why couldn’t we start submitting to agents? Dream big, you know? Start reaching for those castles in the air?”

  I smiled at the reference. The March sisters often talked of their dreams—their hopes—as “castles in the air.”

  But it was one thing to have dreams, another to start acting on them. Victoria didn’t realize how hard it was for me to bare my words even to her, my closest friend. Yet I couldn’t stomp on her enthusiasm. And I wanted to succeed, to find that elusive something that had whispered to me from Louisa’s desk. “Okay. I’m in.”

  She rewarded me with a toothy grin. She was getting braces next month. I needed them, too, but I couldn’t expect Paul and Lorraine to spend the money.

  “Let’s start right away!” She ran ahead and I chased after her, the warm air brushing my hair back, my backp
ack slapping my rear as I pushed my spindly legs forward. We ran past the center of town, past Holy Family Parish and the town hall, past the Colonial Inn and North Bridge Inn, and up Monument Street to the Bennetts’ massive, gabled three-story colonial. I remember the first time I saw the home, how I’d come off the bus with Victoria, the note my uncle had written giving his permission for me to go home with my new friend clutched tight in my hand. We’d chosen one another for art partners that day. I remember Victoria telling me over plastic palettes of watercolors that her mom made the best banana oatmeal cookies in the world and how she’d have some ready for us when we came home.

  Now I followed Victoria up the driveway and, for the hundredth time, tried to accept what the Bennetts occasionally reminded me: that this was my home. My driveway.

  Victoria held the screen door open for me and I followed her in, grabbing my notebook from my bag before hanging it above the large bench in the foyer. We went into the kitchen, where a plate of fresh cookies awaited, as always.

  We grabbed a couple before heading through the back door toward the garage. We traveled beneath the portico, spotted Lorraine in her flower beds, and walked toward her.

  “Hi, girls!” Victoria’s mother waved and stood, brushing the knees of her pants. “How was camp?” She put an arm around Victoria and kissed her forehead, then, with only the slightest bit of awkwardness, squeezed my shoulder.

  I imagined those arms around me in a hug, the light scent of her Elizabeth Arden perfume, all roses and jasmine and cedar, enveloping me in a freshness that matched the flowers she loved so much. Still, at the same time that I longed for them, those gentle arms also frightened me. An embrace was giving part of yourself away, making yourself vulnerable, exposed. An embrace would mean I had that much more to lose. An embrace was risky.

  I took a step closer to the garage. My relationship with Lorraine was . . . funny. In this case, funny-strange, because it was definitely out of the ordinary. She’d gone from being my best friend’s mom, whom I was distantly fond of, to being my guardian and foster mom, to being the realest mom I would likely ever have. Before her, I knew very little of mothers, and most of that was by way of television shows. Clair Huxtable and Jill Taylor and Maggie Seaver. Where did Lorraine fall into my life? The Bennetts had done so much—attending foster classes, wading through lawyers and state regulations and piles of paperwork—all to adopt me.

  But I was thirteen. I seemed to have missed the boat on the proper time period in establishing myself with a new mother. Now, even as I longed for and feared the prospect of Lorraine’s arms around me, I realized the impossible awkwardness of the situation. I never invited physical contact with the Bennetts—with anyone. My uncle had never touched me, which I suppose I should be grateful for when listening to the stories of some of the other girls in foster care, and yet quite simply, I didn’t understand the world of physical love. Victoria thought nothing of squeezing my hand or slinging an arm around my shoulder, and by now I was nearly comfortable with it. But to initiate such a gesture? To Lorraine, who took me into her home and cared for me? Quite simply, I didn’t know how, even if I wanted to.

  I stood quiet as Victoria chatted on about our day, gushed about the story she was writing, and told her mom about our plan to reinstate the Pickwick Club.

  “You sound inspired. How about you, Taylor? Did you have fun?”

  I nodded vigorously. “Very much. Thank you so much. I really am grateful.” My words gurgled out like a clumsy, bubbly stream.

  She smiled and I noticed how the creases around her mouth and eyes were pleasant on her pretty face. “You’ve thanked us quite enough, honey. We’re glad to do it. Just enjoy, okay?”

  I blinked fast. Once, then twice, then looked with longing at the garage. Victoria skipped out of her mother’s arms, said we’d be back down to set the table for supper, and pulled me along to race up the outside stairs to the room above the garage.

  Victoria’s father had finished the space long ago. It had a bathroom, an array of exercise equipment, a pool table, and a small sitting area with a television. I placed my stash of cookies on an end table alongside my notebook and headed to the bathroom. Victoria opened one of the huge windows, sprawled out on the area rug near the couches, and opened her own notebook, the cap of her pen already off.

  When I had flushed the toilet, I washed my hands, staring at myself in the mirror. I wasn’t ugly, but neither was I particularly pretty—not pretty like Victoria, anyway, who pulled off a fawn-like, alluring quality with her petite frame and dark looks. She reminded me of Winona Ryder. I, on the other hand, was too tall and gangly to pull off anything fawn-like. Giantlike, maybe. Aside from my thick auburn hair, there wasn’t much beauty to me.

  I pressed my lips together to hide my crooked teeth from the mirror before opening the door but stopped short at the sight of Victoria holding my black-and-white composition notebook, open to the first page. Blood rushed in my ears, a silent whooshing sound that quickly spread to the rest of my body, traveling with tunneling force until it throbbed at the edges of my fingers and toes.

  “What are you doing?”

  Victoria looked up, something like pain written on her face. “I—I wanted to see where you were headed . . . to help . . .”

  I snatched the notebook from her. “You shouldn’t have done that.” My hot hands gripped the cover of the notebook, their warmth making the cardboard damp. I wanted to take the notebook and run back to the main house and upstairs to my room. I wanted to forget the Pickwick Club and Victoria and even Jo March Writing Camp. But I couldn’t. Such a display would make me look spoiled, ungrateful.

  And what did I have to be sulking about, anyway? I lived in one of the most beautiful homes in Concord with my best friend—my only friend, really. Her parents were providing for my every need—they sent me to writing camp, for goodness’ sake! How many times had I longed to simply visit Orchard House? Now I got to write there.

  I hadn’t a right to be unappreciative. And there was no place for me to go. Nowhere else I even wanted to go. Uncle Rob wouldn’t be out of jail for at least five years. I needed the Bennetts. And I needed them to not regret taking me in. No matter what.

  And that started here. With not running back to my room and locking myself in, as I so desperately wanted to do.

  Instead, I turned to the treadmill and hopped on, pressed the buttons until I had to run to keep up. Fast.

  “What are you doing?”

  “Running.”

  “Why?”

  “Because I want to run, but I don’t want to run away.” I had trouble talking around my breaths, wasn’t even sure if my words were true. Sometimes, crazy as it was, I did want to run away.

  Victoria leaned over the treadmill and pushed the Off button. The belt slowed to a stop.

  “I’m sorry you’re lonely,” she said.

  I swiped at my nose, ordered tears to stay put.

  “I wish I could help more.”

  I shook my head. “You do. You have. If I didn’t have you, I don’t know what I’d do. It’s me. I—there’s something wrong with me.”

  She didn’t deny it, and somehow that made me feel better.

  Without warning, her eyes lit up. She grabbed the curved handle of the treadmill. “That’s it!”

  “What?”

  “Your story. You. Oh, I’m so deliciously jealous!”

  I scrunched my brow. “What are you talking about?”

  She pulled me off the treadmill and back toward the sitting area. “You. How many other thirteen-year-olds know what it’s like to be in your shoes? How many of us would want to know? You have something all the best writers have—experience. And the emotions to go with it.” She opened my notebook to the first page and jabbed her pointer finger into my neatly written words. “This proves it.” She thrust the notebook at me. “Write it. Write your story. Like Louisa did in Little Women. Write what you know, and it will be brilliant.”

  I squinted at her, trying t
o decide if I should give her words any credence. “Are you just trying to make me feel better?”

  “I’m serious, Taylor. Readers want to feel. Make them feel. Write your story and make something good come out of it.”

  Write my story. Make something good come out of it.

  That feeling again—the one I couldn’t seem to resist at the same time that it often proved unreliable—stirred in my chest. That hope.

  Could Victoria be right? Could there be something of worth in my words? In my experiences?

  I dragged in a wobbly breath, scooped up my pen, and sat on the rug. I could do this. Write what I knew. Force good from it.

  I thought of my copy of Little Women and what it had done for me in giving me a connection to my mother. A connection to a perfect life. Even if it was a last-minute thought from a thrift store, that story helped me.

  What if, in writing my story, I could one day give hope to another lonely girl?

  I swallowed down the intimidation that came with that thought. I caught Victoria’s gaze and we shared tentative smiles. I opened my mouth to say “Thank you” but words wouldn’t come. She nodded in encouragement and I focused on putting pen to paper.

  Maybe I wasn’t so alone after all.

  CHAPTER TWO

  One must have both the dark and the light side to paint life truly.

  ~ LMA

  Taylor

  1997

  The dead slept beneath the trees. I wondered at the amount of gravestones, at all the people who had lived and breathed and died in this very town.

  I shivered. I never could figure out why Victoria frequented this place, but I’d come here as a desperate way of curing my writer’s block. Whenever Victoria returned from time at Sleepy Hollow Cemetery, she would get a writing wind. I wondered what sort of inspiration she found here—if it would strike me in the same way it did her.